An art blog by Sam Botkin, a.k.a. Unwiredguy, a.k.a. the artist Saml, and probably a.k.a. a few other names too.
CONTACT by EMAIL: unwiredguy@live.com
CONTACT by EMAIL: unwiredguy@live.com
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CLICK THIS LINK to view My Art in PUERTO VALLARTA
CLICK this link to see paintings of Puerto Vallarta, painted in USA.
Links to art pages
Shamliri's Swan
SHAMLIRI'S SWAN, oil on canvas, 30 x 40 in.
The Moon, The Swan, And Magdalena
THE MOON, THE SWAN, AND MAGDALENA, oil on canvas, 30 x 24 in.
CLICK these links to view MORE ART
Before The Beginning
BEFORE THE BEGINNING, oil on canvas, 36 x 48 in.
Camila Vs The Ant
CAMILA VS THE ANT, oil on canvas, 16 x 12 in.
Beneath The Full Moon
BENEATH THE FULL MOON, oil on canvas, 24 x 36 in.
Yo y Mi Gato
YO Y MI GATO, oil on canvas, 24 x 30 in.
Mama Iguana
MAMA IGUANA, oil on canvas, 24 x 30 in.
The Girl With The Blue Curl
THE GIRL WITH THE BLUE CURL, oil on canvas, 24 x 30 in.
Man-eating Iguana, Playa Los Muertos
MAN-EATING IGUANA, oil on canvas, 24 x 36 x 1.5 in.
Un Día en Playa Los Muertos
UN DÍA EN PLAYA LOS MUERTOS, oil on canvas, 30 x 40 in.
El Plato Vacío (The Empty Plate)
EL PLATO VACÍO (THE EMPTY PLATE), oil on canvas, 24 x 30 in.
Spilt Milk
SPILT MILK, oil on canvas, 16 x 20 in.
Artist, After The Fall
ARTIST, AFTER THE FALL, oil on canvas, 24 x 20 in.
Morley's Banjolele
MORLEY'S BANJOLELE, oil on canvas, 24 x 30 in.
I Dreamed I Saw A Crowd Of People
I DREAMED I SAW A CROWD OF PEOPLE, oil on canvas, 24 x 30 x 1.5 in.
Tumbling Through
oil on canvas, 30 x 24 x 1.5 in.
Living, Playa Los Muertos
oil on canvas, 48 x 64 x 2.5 in.
Hot Day in Costa Rica
oil on canvas 24 x 30 in.
Honeymooners
HONEYMOONERS, oil on board, 24 x 30 x 1.5 in.
Troubled Dreams
TROUBLED DREAMS, acrylic on board, 24 x 30 in.
Artist and Model
30 x 40 x 1.5 in, oil on canvas
Last Month's Art Show
LAST MONTH'S ART SHOW, oil on canvas, 24 x 36 x 1.5 in.
ART WAS DISPLAYED DURING NOVEMBER 2010
ART WAS DISPLAYED DURING the Fall of 2010 at the Paseo Studio, Gallery One, 2927 Paseo.
VIEW PHOTOS FROM OCTOBER 2010 ART SHOW AT PASEO STUDIO!
PHOTOS FROM SEPT 3, 2010, ART SHOW PARTY
PHOTOS from August 2010 ART SHOW opening
Flow
oil on canvas 30 x 24
Detachment
DETACHMENT, oil on canvas, 24 x 20 in.
61
oil on canvas, 30 x 24 in. (completed on my birthday!)
Farm Girls At Night
oil on canvas, 30 x 24 x 1.5 in
Breanna and her Big Spotted Dog
oil on canvas, 24 x 30 x 1.5 in.
Tommy and Two Tanangers
oil on canvas, 30 x 24 x 1.5
Rock Climbing Beneath a Lizard Sky
oil on canvas, 40x30 in
Father and Son
"FATHER AND SON", oil on canvas, 20 x 24 in.
La Rubia
LA RUBIA, oil on canvas, 20 x 16 x 1.5 in. SOLD
SOON TO COME: VIEW PNTGS 4 SALE (NOT Ready yet)
ART FOR SALE
Paseo Art Space Show was held in March 2010.
Sandy's Magic Dog
SANDY'S MAGIC DOG, oil on canvas, 30 x 24 x 1.5 in. SOLD
Illegal Immigrants In Love
oil on canvas, 30 x 40 x 1.5 in.
Ms Omo
oil on canvas, 30 x 24 x 1.5 in.
Twee Hawn
work in progress--the lips are too red
What is art?
There are those who think of art as something to decorate the walls (as with certain paintings), or to kill time (as with certain works of literature), or in general to make one's world more lovely. I think otherwise. Art is not by definition pretty, or decorative, or even nice. Art is, by my definition, a dynamic process the result of which is life becomes more meaningful. Art does more than "be created." Art itself creates. Art begins with the artist, who puts the words on paper, or the paint on canvas, or the music and thoughts into a song--whatever the medium may be--but that is not what makes it art. If one walks past a work of art, or hears the sounds of a work of art, the creation process continues. The observer of true art cannot simply smile and move on. With true art, the observer must stop, and think, and react, and change. Art creates a new experience, a new understanding, a new expanded universe. A society that restricts or censors its art is restricting its own growth, its own existence. A person who limits his/her exposure to art is stifling the very nature of that person's life, the process of growing and learning and discovering. Life holds secrets that are never learned by the cautious, by the afraid. By involving oneself in the dynamic process of experiencing true art, one expands reality, one makes the world a bigger and much more meaningful place. Life is art. Art is life. It's the complexity of life (and art) that makes it worth living.
--- Sammy.......3/26/2009
--- Sammy.......3/26/2009
Art by Saml to be publicly displayed...finally!
In March, 2010, the artist will display many of his paintings at the Paseo Art Space gallery, 3022 Paseo, north end of Paseo district in Oklahoma City, (that's near NW 30th Street and Walker), in a solo exhibition tentatively titled "The Evolution of an Artist." At the current time, none of his art has been shown publicly in the US. There are a few of his paintings--small, dust-and-grime-covered, nearly forgotten, from a few years back--hanging at the open-air beachside El Restaurante Malecón in Puerto Vallarta, (it's the tree-encompassed edifice in the painting below), and one nice painting of his strange Pelícanos once hung in the PC Cafe on Olas Altas in Puerto Vallarta--until it was stolen. The show at Paseo Art Space will last the month of March, with a public opening set for the evening of Friday, March 5, 2010.
View from Rosita 303
oil on canvas, 3 panels, total size 16x52 in
My Artist Statement for Paseo Show, March 5, 2010
The Evolution of an Artist – A show by the artist Saml
--Sam Botkin
I am an artist who has until this point in life (March 2010) kept my creativity to myself. I taught high school math for a career, during which time I produced art in private to maintain my equilibrium. Since my college days, I made decisions regarding my life that allowed me time and feedom to be creative. It took me 35 years to understand those needs, to realize that in fact I am an artist, a person who must go beyond the limits imposed by reality. I love producing musical art; I have written thousands of pages of novel manuscripts; and I have spread gallons of paint on smooth surfaces, just to see what might result. When I retired from teaching in 2008, I decided to take my paintings public. Sixteen months after that decision, here is my show.
My official creative training is minimal. I did take a couple of art classes at Oberlin College, graduating in 1970, but that effort was dampened by the turmoil of the sixties and the Vietnam war. (I did develop my signature during that period...the artist Saml.) Otherwise, I have trained myself. I was greatly influenced by a humanities course I took in college, where I researched a report on the expressionist art movement of the early 20th century, from Klee and Kandinsky to Picasso. Klee was my favorite, but I was proudest of Picasso. He was a magician with his art, and it was his originality as much as his art that I most admired.
My art itself has evolved greatly over the years. For many years, I painted when the mood struck me, painting images from my dreams, or my imagination, using acrylics beginning in my college years, then switching to oils once my methods matured. Ten years ago, I decided to take my painting more seriously, and for a painfully long time, I worked at "getting better" by reproducing lovely depictions of real life, lots of beach and park and street scenes of the people of Mexico. More recently, I liberated myself from those social demands, and I have now returned to producing images from my fantasies. I have learned a great deal by watching young people create their art: i.e. my seven-year-old niece, a girlfriend’s five-year-old daughter; and in the past few years I have worked hard to develope my innate desire to paint like a child.
I was inspired in this past decade by the art and artists in Puerto Vallarta, Mexico, specifically José Marca and Rogelio Dias, two artists who paint confidently with uninhibited expression. I became friends with Marca and gained from him an understanding of the patience required to produce an intended result on canvas. I learned through an intermediary (the gallery owner who displays his art) of the turmoil lived by Dias and expressed in his art, and I found a kinship there that pushed me to exploit my own inner chaos.
It does not bother me if my art sometimes offends. For those who are offended, just shake your head and move along.
--Sam Botkin
I am an artist who has until this point in life (March 2010) kept my creativity to myself. I taught high school math for a career, during which time I produced art in private to maintain my equilibrium. Since my college days, I made decisions regarding my life that allowed me time and feedom to be creative. It took me 35 years to understand those needs, to realize that in fact I am an artist, a person who must go beyond the limits imposed by reality. I love producing musical art; I have written thousands of pages of novel manuscripts; and I have spread gallons of paint on smooth surfaces, just to see what might result. When I retired from teaching in 2008, I decided to take my paintings public. Sixteen months after that decision, here is my show.
My official creative training is minimal. I did take a couple of art classes at Oberlin College, graduating in 1970, but that effort was dampened by the turmoil of the sixties and the Vietnam war. (I did develop my signature during that period...the artist Saml.) Otherwise, I have trained myself. I was greatly influenced by a humanities course I took in college, where I researched a report on the expressionist art movement of the early 20th century, from Klee and Kandinsky to Picasso. Klee was my favorite, but I was proudest of Picasso. He was a magician with his art, and it was his originality as much as his art that I most admired.
My art itself has evolved greatly over the years. For many years, I painted when the mood struck me, painting images from my dreams, or my imagination, using acrylics beginning in my college years, then switching to oils once my methods matured. Ten years ago, I decided to take my painting more seriously, and for a painfully long time, I worked at "getting better" by reproducing lovely depictions of real life, lots of beach and park and street scenes of the people of Mexico. More recently, I liberated myself from those social demands, and I have now returned to producing images from my fantasies. I have learned a great deal by watching young people create their art: i.e. my seven-year-old niece, a girlfriend’s five-year-old daughter; and in the past few years I have worked hard to develope my innate desire to paint like a child.
I was inspired in this past decade by the art and artists in Puerto Vallarta, Mexico, specifically José Marca and Rogelio Dias, two artists who paint confidently with uninhibited expression. I became friends with Marca and gained from him an understanding of the patience required to produce an intended result on canvas. I learned through an intermediary (the gallery owner who displays his art) of the turmoil lived by Dias and expressed in his art, and I found a kinship there that pushed me to exploit my own inner chaos.
It does not bother me if my art sometimes offends. For those who are offended, just shake your head and move along.
Sunday, July 8, 2012
The Hula Hoop, and other tales.
Summers are different with my studio! I can work through the hot weather, in sorta air-conditioned comfort. And with my newly discovered hula hoop skills, I can exercise while I work. The hula hoop is amazing! With minimal effort, I keep in shape, might even dare to say that my back feels better than it has in years! Plus, it's fun. I made a video yesterday, "The Hula Hula Hoop....a video by me." Received rave reviews on Facebook! I can see this all working out quite well.
Sunday, March 4, 2012
March, back from Puerto Vallarta.
I live often in Mexico, more and more each year, on the banks of the Rio Cuale in Puerto Vallarta. I have a home in Oklahoma City, on the curbside of the busy Western Avenue. Both are important in my existence, one because it holds my history, as an artist, a writer, a maker of music, a creative kind of guy, and the second because it holds my dreams, my joy of existence. I'm a lucky guy. I have reasons to look forward, to continue my journey, with no remorse from the past, no fear from the future. I'm doing just fine, thank you very much.
Wednesday, October 5, 2011
October is nice.
If there is a month that offers near perfect weather, in Oklahoma anyway, that month is now. October. My new studio is enjoying the attention it is receiving, the work being done within its walls, and from daybreak to late at night, the fine weather encourages productivity. New homemade screen door installed last week, plenty of fresh cool air at night, plenty of time on task to allow thoughtful splotching of oil paint on canvas. This could go on, wouldn't bother me a bit.
Friday, August 12, 2011
The very hot summer....
The heat seems to be losing its umpf. I might have survived. Time will tell. Certainly sapped my productive spirit, not a splotch of paint put on canvas for the past two months. I did get some work done on the new studio, still limping forward with that, still plenty of work to do, but right now, I'm being patient, and doing almost nothing. Recuperation exercises started today, so there is at least hope.
Tuesday, June 21, 2011
Kiss My Vulgar Lips!
Well, it's a very hot summer in this old town, which means once again I'm staying indoors. Which means I work at my desk. (Don't paint much indoors any more.) All this is leading to the fact that today, I completed what I believe to be the final version of "Kiss My Vulgar Lips", a novel by myself, probably under the name of Kaos Rose. This story is good. A simple love story, with simple characters, living simple existences in their slightly alternative world. I sure hope someday it will offend some people. That can't happen unless it gets published! (This makes number five, all sitting here, aging, ready for the viewing public.)
Friday, May 20, 2011
Hot Diggety....Life moves forward.
Well, my new existence is in full steam mode. Just spent eight days in Puerto Vallarta, after spending a month there early this year, got my new river-front studio in working order, incubated some very pleasant relationships that may just carry me through this storm. All seems good, which I guess is what it's all about. Art. Inspirational social interactions. And no requirement that I stifle my creative urges for the sake of acceptance. It ain't Oklahoma down there. It's much more personal. Rewarding. Cool.
Monday, April 11, 2011
Out of necessity.
I post because it needs to happen. Life evolves, in positive ways, and that demands my attention, inspires my creative energy. I just imagined Mama Iguana, to be created and displayed once the earth has spun a few more times. Been seeking that one for a while now. The earth is dry this spring, no rain, but that negative is probably the only one worth mentioning. I have a working studio, a working mind, a few nonworking things as well, but overall, I'm rolling along. Zoom zoom, as they say. Buenas tardes.
Friday, December 24, 2010
Christmas Eve, 2010...
Slow season, for a number of reasons. For one, it's cold. For two, I'm in a healing mode, healing from a detached retina that put me down for the past month or so. For three, I'm regrouping after a very interesting year, but one that has left me still right here. Nice place to be, but it is still right here. I put down my paint brush a couple of months ago to build a studio out back, and that was cool, except for the eye thing that resulted from my tumble off a ladder. The studio waits now, for the season to change, for a final push to put a roof on it and prepare it for my next reality. 20' x 20', with equal sized attic space, will nearly double my living space, make me feel like a serious human being. (We'll see that when it happens.) Preparing for a trip to Mexico, too, expecting much to come from that adventure. But for now, it's Christmas eve, so Merry Christmas to all.
Friday, October 15, 2010
Hmm. I'm still doing.
Another beautiful Fall season. Much going on, in my private world. Got a new studio in the works, a new barn. Concrete to be poured within a few days. Got art. Working at a leisurely pace, but working every day. "Father and Son" done recently, others on the way, seem to keep getting better, too. Maybe. The season, the weather, the lack of encumbrance, all quite nice. If it weren't for my bad back, I'd be rocking full steam. (After three months at Paseo Studio, I was ready to bring it all home, but Jeanene called tonight, wants me to leave some stuff on the walls for another month. I'll leave it up, but I do intend to enjoy the Walk this month, none of that party hosting stuff this time around.)
Friday, July 23, 2010
Monday, July 19, 2010
Life is advancing...
The hot summer is not helping matters, but I suppose life goes forward, summer or not. The future is offering sharp images of quality adventures ahead, with art and discovery leading the way. I am always impressed by the negativity of the world in general but even more impressed with how I have learned to navigate the uglies and maintain my positive and creative disposition!
Whew, did I say that? :)
Whew, did I say that? :)
Wednesday, April 28, 2010
April is just about done...
Well, the art show was last month, all good, and this month has been productive, with art, with the garden, with the cardinals nesting in the bush just outside the barn (in full view from where I paint). Several new paintings in the past several weeks, including "Artist and Model," which I like, and which I feel is a big step in a new direction for my art. Cool stuff. I have also made the conversion from Nikes to Dr Marten sandals, and that's cool stuff too. New camera this spring is recording memorable images, and life as artist has fully replaced that old schoolteacher thing. Fully replaced it. FULLY. I am where I belong, finally!
Wednesday, February 10, 2010
Survived the winter...so far...
It's been the coldest snowiest winter we've had in decades, but it's hinting at Spring. Or maybe I'm just wishing. I'm thinking Art Show more than I'm thinking weather though. March 5, the end of a 16 month wait, not far off at all. I think I'm even going to be prepared once the evening arrives. Wine, song, art, a party for all. (Listening to the new Sade cd...Soldier of Love. Very hot.)
Tuesday, November 17, 2009
Speaking of Chaos...
Yesterday's truth was meaningful in its time.
Today's truth gives us reason to believe.
Tomorrow's truth will make us all feel like fools.
Musings from my nap ... 11/17/09 Sammy
Today's truth gives us reason to believe.
Tomorrow's truth will make us all feel like fools.
Musings from my nap ... 11/17/09 Sammy
Saturday, November 14, 2009
The season draws to an end....
Well, the barn did good while the weather cooperated, but today things don't look good. It's getting chilly out there, and tomorrow promises possible flurries. I did the Omo celebration this past couple of weeks, knocked off a few interesting works, but my energies will soon be diverted ... to who knows where. It won't be the same indoors. Can't have six or eight works in progress like I did all summer and fall. I got the chainsaw out today, started the annual tree trim, dreaming of nailing together a new studio, a new air-conditionable barn, make this backyard a year-round art factory. LOL. I laugh, but it could happen! Got time to think about it now that the cold weather is settling in.
Friday, October 30, 2009
Hot Day in Costa Rica...
But it's not a hot day here. The chill is slowly moving in, but I'm still in the barn. Finished my sixth October painting today, not bad considering the weather. There's half a chance I'll finish a seventh tomorrow. Did this last painting using Lukas no.5 all the way through, thick faster-drying medium, good stuff I have decided. Just have to know what you're doing or it gums up on you. I've used it before, but this time I took note, planned ahead, and brought out just what I was hoping for. Sure speeds up the process, don't have to wait day after day for the stuff dry. It will be used again.
Thursday, October 8, 2009
Autumn falls, the leaves are turning...
And the barn is a great place to be. Lots of work accomplished during September, lots of progress, then a little break to re-roof the garage, and now I'm back in the barn. Getting a bit chilly, not like last year's perfect fall season, but the work is flowing. I found that if I hang a tarp over the doorway at night, the resulting still air is much more manageable than the chilly night breeze, and I can work a couple of hours later. It's a good thing, painting outdoors at night. Even the mosquitos that pestered me all last month are gone now that the season has changed.
Friday, September 4, 2009
The Heat has Broken....
What a nice past few days....and what a lot of work done in the barn. Tonight I even took a couple of hours off to visit the Paseo Friday art walk. That was good. Met a very nice speech pathologist strolling down the sidewalk, not something that happens everyday. No telling what sort of creativity that might inspire.
Sunday, August 2, 2009
Progress has slowed a bit....
Hot summers sure do have a negative effect on outdoor productivity. The weather did cool off somewhat for a week or so, and I did get some painting done, but the temp is back up towards 100 now, and I have not even ventured outside in a day and a half. I am doing some editing, Living and Dying at the Zoo being completely retyped, all 100,000 words of it, but even that project is just creeping along. (It will soon become completed manuscript #4 though, and that has a nice ring to it!) The paints? Well, time will tell when that starts rolling again.
Sunday, July 12, 2009
Whew!!
106 today. Past week, much the same. Next week, much the same. Gives me a headache just thinking about it.
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