My Artist Statement for Paseo Show, March 5, 2010
The Evolution of an Artist – A show by the artist Saml
--Sam Botkin
I am an artist who has until this point in life (March 2010) kept my creativity to myself. I taught high school math for a career, during which time I produced art in private to maintain my equilibrium. Since my college days, I made decisions regarding my life that allowed me time and feedom to be creative. It took me 35 years to understand those needs, to realize that in fact I am an artist, a person who must go beyond the limits imposed by reality. I love producing musical art; I have written thousands of pages of novel manuscripts; and I have spread gallons of paint on smooth surfaces, just to see what might result. When I retired from teaching in 2008, I decided to take my paintings public. Sixteen months after that decision, here is my show.
My official creative training is minimal. I did take a couple of art classes at Oberlin College, graduating in 1970, but that effort was dampened by the turmoil of the sixties and the Vietnam war. (I did develop my signature during that period...the artist Saml.) Otherwise, I have trained myself. I was greatly influenced by a humanities course I took in college, where I researched a report on the expressionist art movement of the early 20th century, from Klee and Kandinsky to Picasso. Klee was my favorite, but I was proudest of Picasso. He was a magician with his art, and it was his originality as much as his art that I most admired.
My art itself has evolved greatly over the years. For many years, I painted when the mood struck me, painting images from my dreams, or my imagination, using acrylics beginning in my college years, then switching to oils once my methods matured. Ten years ago, I decided to take my painting more seriously, and for a painfully long time, I worked at "getting better" by reproducing lovely depictions of real life, lots of beach and park and street scenes of the people of Mexico. More recently, I liberated myself from those social demands, and I have now returned to producing images from my fantasies. I have learned a great deal by watching young people create their art: i.e. my seven-year-old niece, a girlfriend’s five-year-old daughter; and in the past few years I have worked hard to develope my innate desire to paint like a child.
I was inspired in this past decade by the art and artists in Puerto Vallarta, Mexico, specifically José Marca and Rogelio Dias, two artists who paint confidently with uninhibited expression. I became friends with Marca and gained from him an understanding of the patience required to produce an intended result on canvas. I learned through an intermediary (the gallery owner who displays his art) of the turmoil lived by Dias and expressed in his art, and I found a kinship there that pushed me to exploit my own inner chaos.
It does not bother me if my art sometimes offends. For those who are offended, just shake your head and move along.